{"id":13,"date":"2014-04-07T17:24:32","date_gmt":"2014-04-07T17:24:32","guid":{"rendered":"https:\/\/amandagutierrez.net\/eng\/?page_id=13"},"modified":"2025-05-13T15:14:16","modified_gmt":"2025-05-13T15:14:16","slug":"publicaciones","status":"publish","type":"page","link":"https:\/\/amandagutierrez.net\/esp\/publicaciones\/","title":{"rendered":"Publicaciones"},"content":{"rendered":"<ul>\n<li><strong>Art\u00edculos publicados\u00a0<\/strong><\/li>\n<\/ul>\n<p><b>\u201cListening to Noise: Tracing Lines of Affinity and Feminist Sono-Techno-Political Activism from the South\u201d<\/b> <span style=\"font-weight: 400;\">(Co-authors: Ana Alfonsina Mora, Gabriela Acevez Sep\u00falveda, Laura Balboa, Amanda Guti\u00e9rrez) <\/span><i><span style=\"font-weight: 400;\">Situated Listening: Attending to the Unheard.<\/span><\/i><span style=\"font-weight: 400;\"> Routledge 2024. <\/span><span style=\"font-weight: 400;\">Freya Zinovieff, Stephanie Loveless, Tullis Rennie, Louise Mackenzie, Morten S\u00f8ndergaard, Marie Koldkjaer H\u00f8jlund<\/span><span style=\"font-weight: 400;\"> [ed.] (COC) (Forthcoming)<\/span><\/p>\n<p><b>\u201cXeno Walk: Approaching Feminism as Social Engagement in Montreal\u2019s Public Space<\/b><b>\u201d<\/b> <i><span style=\"font-weight: 400;\">Diffracting the North: Latinx-Canadian Film, New Media, and Visual Arts<\/span><\/i><i><span style=\"font-weight: 400;\">.<\/span><\/i><span style=\"font-weight: 400;\"> University of Concordia Press. 2024. Gabriela Aceves Sep\u00falveda, <\/span><span style=\"font-weight: 400;\">Zaira Zarza Blanco; Analays Alvarez Hernandez.<\/span> <span style=\"font-weight: 400;\">[ed.] (COC)<\/span><\/p>\n<p><b>\u201cFl\u00e2neuse&gt;La caminanta, a Critical Intake on the Sonic Gender Violence in Urban Spaces.<\/b><b>\u201d<\/b> <i><span style=\"font-weight: 400;\">Sounding Out! <\/span><\/i><i><span style=\"font-weight: 400;\">Power in Listening<\/span><\/i><i><span style=\"font-weight: 400;\">.<\/span><\/i><span style=\"font-weight: 400;\"> NYU Press. 2024. Jennifer Stoever [ed.] (COC) (Upcoming)<\/span><\/p>\n<p><b>\u201c<\/b><b>La Experiencia Aural de Caminar en Colectiva\u201d<\/b><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Tsonami Ediciones.<\/span><\/i><span style=\"font-weight: 400;\"> Online Journal 2023.<\/span><\/p>\n<p><b>\u201c<\/b><b><i>Aural Border Thinking <\/i><\/b><b>as a decolonial soundwalking methodology\u201d<\/b><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Soundwalking through Time, Space, and Technologies.<\/span><\/i><span style=\"font-weight: 400;\"> Routledge 2023. Jacek Smolicki [ed.] (COC)<\/span><\/p>\n<p><b>&#8220;Flaneuse&gt;La Caminata&#8221;<\/b><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Going Out<\/span><\/i><span style=\"font-weight: 400;\"> \u2013 <\/span><i><span style=\"font-weight: 400;\">Walking, Listening, Soundmaking. <\/span><\/i><span style=\"font-weight: 400;\">Q-02 Publishers (2022). Elena Biserna [ed.] (COC)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201c<\/span><b>Virtual Psychogeography as a Feminist Practice\u201d. <\/b><i><span style=\"font-weight: 400;\">Powidoki (Afterimage) Magazine<\/span><\/i><span style=\"font-weight: 400;\">. Number 05. Poland 2021. Pp. 54-61 <\/span><span style=\"font-weight: 400;\">(RAC)<\/span><\/p>\n<p><b>\u00a0<\/b><span style=\"font-weight: 400;\"><span style=\"box-sizing: border-box; margin: 0px; padding: 0px;\"><strong>&#8220;Walking In Lightness: A Soundwalk&#8221;<\/strong>.<\/span>\u00a0Paper Presentation. Intersections, Art, Media and Technology\u00a0 Conference, Connecticut College. New London, Connecticut, 2017 (CAC)\u00a0<\/span><\/p>\n<p><b>&#8220;Soundwalks and gender studies&#8221;<\/b><span style=\"font-weight: 400;\"> Paper Presentation, The Global Composition Sound and Media Conference 2018, Darmstadt University, Media Campus. Darmstadt, Germany. (CAC)<\/span><\/p>\n<p><b>&#8220;Flaneuse&gt;La Caminata&#8221;<\/b><span style=\"font-weight: 400;\">, Walking as a Person of Color. Sounding Out! Online publication, 2019 (RAC)<\/span><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li aria-level=\"1\"><b>Conferencias y presentaciones\u00a0\u00a0<\/b><\/li>\n<\/ul>\n<table>\n<tbody>\n<tr>\n<td>\n<p><em><strong>Feminist Methodologies of Collectivity<\/strong>.<\/em> Gestures of Care at Eastern Bloc as part of the Sight and Sound Festival 2025. Montreal, Canada.\u00a0<\/p>\n<p><em><strong>Soundwalking Practices in Abya Yala. <\/strong><\/em>Espaces diasporiques : R\u00e9sistances et transformations d\u00e9coloniales. Montreal, Canada, 2025<\/p>\n<p><em><b>Anti-etnograf\u00edas: narrativas no hegem\u00f3nicas, embodiment y pr\u00e1cticas art\u00edsticas. <\/b><\/em>MSA Conference Lima, Per\u00fa, 2024<\/p>\n<p><b><i>Intersectional Listening and Positionality. <\/i><\/b><span style=\"font-weight: 400;\">Keynote Speech<\/span> <span style=\"font-weight: 400;\">at<\/span> <span style=\"font-weight: 400;\">World Forum of Acoustic Ecology,\u00a0<\/span><span style=\"font-weight: 400;\">ACA Florida, USA. 2023<\/span><\/p>\n<p><b><i>Sono-Soro[Walks], framing sonic interventions at nighttime<\/i><\/b><b>. <\/b><span style=\"font-weight: 400;\">Presented at<\/span> <span style=\"font-weight: 400;\">Colloque Plateformes et\u00a0<\/span><span style=\"font-weight: 400;\">Usages<\/span><span style=\"font-weight: 400;\">, University of Montreal. Montreal, Canada. 2023<\/span><\/p>\n<p><b><i>Aural Border Thinking<\/i><\/b><b>. <\/b><span style=\"font-weight: 400;\">Presented at<\/span> the\u00a0<span style=\"font-weight: 400;\">Time to Listen Conference at Kunste Academy in Berlin, Germany, <\/span><span style=\"font-weight: 400;\">2023<\/span><\/p>\n<p><b><i>Walking away from the Western Fl\u00e1neuse, moving forward to perspectives from the Global South<\/i><\/b><b>. Presented at the <\/b><span style=\"font-weight: 400;\">Soundings From The South Conference at Kunste Academy in Berlin, Germany, 2022 and the CAA 114 Conference,\u00a0<\/span><span style=\"font-weight: 400;\">New York, 2023.<\/span><\/p>\n<p><b><i>Xeno Walk,<\/i><\/b> <b><i>an aural essay about collective feminism. <\/i><\/b><span style=\"font-weight: 400;\">Presented at UnionDocs, Center of\u00a0 Non-Fiction Films and experimental narratives\u2014Brooklyn, New York, 2022, as well as <\/span><i><span style=\"font-weight: 400;\">ISEA Barcelona 2022.\u00a0<\/span><\/i><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><b><i>Speaking\/Listening on Tongues Soundwalk. <\/i><\/b><span style=\"font-weight: 400;\">Presented at Soundwalk Symposium 2022, offered at Concordia University. Canada.\u00a0<\/span><\/p>\n<p><b><i>Xeno Walk,<\/i><\/b> <b><i>an aural essay about collective feminism. <\/i><\/b><span style=\"font-weight: 400;\">Presented at the 9th Annual Emerging Scholars&#8217; Symposium. Ethical Encounters 2022, at Concordia University. Canada.\u00a0<\/span><\/p>\n<p><b><i>Walking With, an aural essay about collective feminism. <\/i><\/b><span style=\"font-weight: 400;\">Artist Presentation at <\/span><i><span style=\"font-weight: 400;\">Sono-Soro[ridades]: Feminist interventions in Sound Art<\/span><\/i><span style=\"font-weight: 400;\">, in the conference Borderline Sonorities 2021 in Brazil.\u00a0\u00a0<\/span><\/p>\n<p><b><i>Walking With, an aural essay about collective feminism. <\/i><\/b><span style=\"font-weight: 400;\">Artist Presentation at Contested Imaginaries. Interdisciplinary Humanities Graduate Conference. <\/span><span style=\"font-weight: 400;\">Concordia University. 2020<\/span><\/p>\n<p><b><i>Walking With, an aural essay about collective feminism. <\/i><\/b><span style=\"font-weight: 400;\">Imagining Differently: Research-Creation Practices in Urgent Times Conference. <\/span><span style=\"font-weight: 400;\">Department of Theatre and Performance Studies, in the School of Arts, Media, Performance &amp; Design (AMPD). York University. 2020<\/span><\/p>\n<p><b><i>Sounding Collectivity as a Feminist Practice<\/i><\/b><i><span style=\"font-weight: 400;\">.<\/span><\/i><span style=\"font-weight: 400;\"> Keynote speaker at <\/span><span style=\"font-weight: 400;\">The <\/span><i><span style=\"font-weight: 400;\">Research-\u00adCreation and Social Justice CoLABoratory<\/span><\/i><span style=\"font-weight: 400;\">, Art Activism and Global Crisis Series. The University of Alberta. 2021<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong><em>Sono-(soro)ridades.<\/em><\/strong> B<\/span><span style=\"font-weight: 400;\">orderline Sonorities Conference 2021, Scientific Committee of the research track. 2021<\/span><\/p>\n<p><b><i>Augmented Reality and Oral History Workshop<\/i><\/b><span style=\"font-weight: 400;\">. Acts of Listening Lab and CODHS. Concordia University. 2019<\/span><\/p>\n<p><b><i>Fl\u00e2neuse&gt;La Caminata<\/i><\/b><span style=\"font-weight: 400;\">, Artist Presentation. ISEA Montreal, 2020\u00a0<\/span><\/p>\n<p><b><i>Womxn Walk the Walk: A Space and Community for the Framing of Feminist Stories<\/i><\/b><span style=\"font-weight: 400;\">, Feminist Spatial Stories: the 7th Annual Emerging Scholars&#8217; Symposium. Concordia University. Canada. *Presented by Veronica Mockler | M.A. Concordia Student (COF)<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><em><strong>Soundwalk: An Interdisciplinary Approach<\/strong><\/em>, Artist Presentation. Mexican Network of Acoustic Ecology. Fonoteca Nacional of Mexico. Mexico City, 2019\u00a0<\/span><\/p>\n<p><b><i>Fl\u00e2neuse&gt;La Caminata<\/i><\/b><span style=\"font-weight: 400;\">, Artist Presentation, RE: SOUND Media Conference 2019, University of Aalborg, Denmark.\u00a0<\/span><\/p>\n<p><b><i>Soundwalks and gender studies<\/i><\/b><span style=\"font-weight: 400;\">, Paper Presentation, The Global Composition Sound and Media Conference 2018, Darmstadt University, Media Campus. Darmstadt, Germany.\u00a0<\/span><\/p>\n<p><b><i>Soundwalks as a Social Practice<\/i><\/b><span style=\"font-weight: 400;\">, Invisible Places Sound Conference 2017. Ponta Delgada University. Portugal.<\/span><\/p>\n<p><b><i>The soundscape of enclaves, two case studies of the Immigrant Acoustic Territories<\/i><\/b><span style=\"font-weight: 400;\">, FOOT 2017: Sounding the Inner Ear of Performance. University of Toronto, Canada. (COC) * Presented by Amanda Gutierrez and Jenn Grossman<\/span><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>Actividades de Investigaci\u00f3n<\/strong><\/li>\n<\/ul>\n<p>Graduate Student Member of Le Laboratoire d\u2019art et de recherche d\u00e9coloniaux (LabARD) at l\u2019Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al (UQAM), in Montreal from 2023-20225. Under the supervision of Prof. Romeo Gongora.<\/p>\n<p>[Scientific Committee of Borderline Sonorities 2021 Brazil]. Research track development:\u00a0<b><i>Sono-Soro[ridades]: Feminist interventions in Sound Art<\/i><\/b><b>,<\/b> research in collaboration with Dr. Gabriela Aceves-Sep\u00falveda and Dr. Freya Zinovieff.<\/p>\n<p>[Scientific Committee of REA Conference\u00a0 2021 (Mexican Network of Acoustic Ecology)]. Research track development:\u00a0<b><i>Sono-Soro[ridades]: Producci\u00f3n sonora y pr\u00e1cticas colectivas feministas<\/i><\/b><i>.\u00a0<\/i><\/p>\n<p>[PULSE Research Assistantship 2020-2021 (Performative Urbanism Lab for Spatial, Social, and Scenographic Experimentation)], working for Dr. Shauna Janssen on the project \u201cDigital Performativity of Public Space: Scenographic Approaches to Augmented Reality and Place-based Storytelling.\u201d<\/p>\n<p>[Visiting Scholar at Acts of Listening Lab (ALLAB) Fall 2019], appointed by Dr. Luis Sotelo Castro, in connection with the Centre for Oral History and Digital Storytelling: CODHS at Concordia University.<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>Cat\u00e1logos de artista<\/strong><\/li>\n<\/ul>\n<p>1<\/p>\n<p><strong>GRIDS\u00a0<\/strong><\/p>\n<p>By Radius (Editors Jeff Kolar and Meredith Kooi), Design by Nick Ferreira,<\/p>\n<p>Contributing editors: Antye Greie-Ripatti, Brett Bloom, Bonnie Fortune, Mari Keski-Korsu,<\/p>\n<p>Ethan Rose, Kristen Roos, Amanda Guti\u00e9rrez<\/p>\n<p>Chicago, IL, self-published, 2015<\/p>\n<p>2<\/p>\n<p><strong>Poemas Tonales de Edificios: Ciudad de M\u00e9xico\u00a0<\/strong><\/p>\n<p>DVD-Booklet \u00a0edici\u00f3n limitada a 500 copias<\/p>\n<p>Proyecto realizado a trav\u00e9s del Programa de<br \/>Apoyo a la Producci\u00f3n e Investigaci\u00f3n en Arte<br \/>y Medios 2014 del Centro Multimedia del<br \/>Centro Nacional de las Artes.<\/p>\n<p>3<\/p>\n<p><strong>Mitos Oficiales<\/strong><\/p>\n<p>Group Exhibition Catalogue<\/p>\n<p>Edited and curated by Octavio Abelda\u00f1o Trujillo<\/p>\n<p>Mexico, 2014<\/p>\n<p>4<\/p>\n<p><strong>Topografi\u0301as del Tiempo<\/strong><\/p>\n<p>Artist Video Catalogue<\/p>\n<p>Laboratorio Arte Alameda\/FONCA Me\u0301xico, 2012<\/p>\n<p>Proyecto realizado a trav\u00e9s del Programa de<br \/>Coinversiones y producci\u00f3n Art\u00edstica 2012<\/p>\n<p>5<\/p>\n<p><strong>Revoluciones<\/strong><\/p>\n<p>Group Exhibition Catalogue<\/p>\n<p>Edited and Curated by Esther Acevedo and Rosa Casanova<\/p>\n<p>Laboratorio Arte Alameda Me\u0301xico, 2011<\/p>\n<p>6<\/p>\n<p><strong>Ready Media: Nuevos Medios en Me\u0301xico (New Media in Mexico)<\/strong><\/p>\n<p>Video Experimental en Me\u0301xico,<\/p>\n<p>Edited and curated by David Wood<\/p>\n<p>Laboratorio Arte Alameda<\/p>\n<p>Me\u0301xico, 2010<\/p>\n<p>7<\/p>\n<p><strong>VICO<\/strong><\/p>\n<p>Cooperativa de Video<\/p>\n<p>Selecci\u00f3n de video de artistas mexicanos<\/p>\n<p>DVD-Booklet<\/p>\n<p>Proyecto realizado a trav\u00e9s del Programa de<br \/>Apoyo a la Producci\u00f3n e Investigaci\u00f3n en Arte<br \/>y Medios 2012 del Centro Multimedia del<br \/>Centro Nacional de las Artes.<\/p>\n<p>8<\/p>\n<p><strong>Mudanzas: migraciones mu\u0301ltiples<\/strong><\/p>\n<p>Museo de Mujeres Artistas Mexicanas.<\/p>\n<p>Group Catalogue published by MUMA<\/p>\n<p>Curated and edited by Lucero G\u00f3nzales<\/p>\n<p>Me\u0301xico, 2010<\/p>\n<p>9<\/p>\n<p><strong>Amanda Gutie\u0301rrez: Breve Historia de Ficciones<\/strong><\/p>\n<p>Artist Catalogue supported by CAAP. Illinois Arts Council<\/p>\n<p>Chicago-Me\u0301xico. 2009<\/p>\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Art\u00edculos publicados\u00a0 \u201cListening to Noise: Tracing Lines of Affinity and Feminist Sono-Techno-Political Activism from the South\u201d (Co-authors: Ana Alfonsina Mora, Gabriela Acevez Sep\u00falveda, Laura Balboa, Amanda Guti\u00e9rrez) Situated Listening: Attending to the Unheard. Routledge 2024. 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